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Bram Vreeswijk

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  • Daadwerkelijke Gebeurtenissen
  • Introduction: Let’s Talk about Dance
  • (In)visibility in Dance
  • The Delicacy of the Loving Act
  • Motivations for Movement
  • essay: Trauma and Trauma Healing. Movement, Dance and Performance

2.9

2.9 The ‘Real I’ to come out

 

2.9.1 Sawami: same movement / same intention / real person is coming out / fragment: ‘Double Points: Two’  (2 min.)

Motivations for Movement

December 9, 2012January 7, 2016 Bram Vreeswijk
'real I'2.9Double Points: 2

2.9.2 Sawami: ‘real I’ to come out / from the human body /different from ‘identity’ or ‘self-image’ / being here / the act of survival (4 min.)

Motivations for Movement

December 8, 2012January 7, 2016 Bram Vreeswijk
'real I'2.9stomachsurvival

2.9.3 Sawami: ‘real I’ / Emio’s body / fragment: ‘Double Points: One’ / strong trunk / immediate connection between ‘internal movement’ and extremities (see also 2.9.3.a) / balletdancers / conscious – unconscious / Emio has a big ego (see also 2.9.3.b) (7 min.)

Motivations for Movement

December 7, 2012January 25, 2016 Bram Vreeswijk
'real I'2.9balletDouble Points: 1immediatestomach

2.9.3.a Sawami: movement of the hand effecting the whole body immediately (2 min.)

Motivations for Movement

December 6, 2012January 6, 2016 Bram Vreeswijk
2.9immediate

2.9.3.b Sawami: he doesn’t take himself serious / serving the work (2 min.)

Motivations for Movement

December 5, 2012January 7, 2016 Bram Vreeswijk
'real I'2.9spiritual
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